‘Five Nights at Freddy’s’ Slays ‘Halloween Kills,’ Becomes NBCU’s Best Ever Simultaneous Peacock and Theatrical Release

Five Night's At Freddy's
‘Five Nights at Freddy’s’ (Image credit: Universal)

At least in terms of horror movies, NBCUniversal is proving that it doesn't have to choose between linear and streaming

Universal and Blumhouse’s video game-based horror-thriller Five Nights at Freddy’s landed an estimated $80 million at North American theaters over the weekend, with $130 million in global sales.

Those ticket sales came despite the film landing simultaneously on Peacock, NBCUniversal’s streaming service. It’s the studio’s best-ever simultaneous streaming release yet, beating out Halloween Kills, which premiered to $49 million at the domestic box office in 2021, and Halloween Ends ($40 million in 2022). And unlike Five Nights at Freddy’s, those slasher movies were part of a time-tested film franchise.

In fact, Freddy had the bet “day-and-date” release of all streaming time, tying Disney’s debut of Black Widow in the summer of 2021, which also generated $80 million in first-weekend North American box office receipts. 

Five Nights at Freddy’s now stands as the biggest horror premiere of the year, surpassing Scream VI ($44.4 million). It’s also Blumhouse’s biggest global debut of all time, overtaking 2018’s Halloween ($91.8 million worldwide).

Directed by Emma Tammi and based on the popular video game, Five Nights at Freddy’s stars Josh Hutcherson as a nighttime security guard at an abandoned children’s entertainment establishment, whose animatronics have a penchant for murder. It got an awful 25% Rotten Tomatoes score, but audiences rated the movie as highly as 89% on the same site.

“It’s so fun when it works. Thank you all so much for being patient with us on [‘Five Nights at Freddy’s’]. We wanted to get it just right for the fans,” Blumhouse founder Jason Blum wrote on Twitter. “And it’s official. Biggest Blumhouse opening movie of all time.”

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Jack Reid is a USC Annenberg Journalism major with experience reporting, producing and writing for Annenberg Media. He has also served as a video editor, showrunner and live-anchor during his time in the field.  

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