Warner Bros. Discovery Raises Write-Offs By Nearly $1 Billion
Content impairment charges to be $2.8 to $3.5 billion
Warner Bros. Discovery increased the restructuring charges against earnings it will be taking this year to $4.1 billion to $5.3 billion as it looks to cut costs and improve its bottom line following the merger of Discovery with WarnerMedia earlier this year.
The company had originally said that it expected the charges against earnings to be $3.2 billion to $4.3 billion, according to Securities and Exchange Commission filings.
The merger left Warner Bros. Discovery with about $50 billion in debt and CEO David Zaslav has said that as his team digs into the WarnerMedia operations things look worse than expected.
The write-downs will include content impairment changes and development write offs of $2.8 billion to $3.5 billion, up from its original estimate of $2 billion to 2.5 billion.
Under Zaslav, Warner Bros. Discovery has canceled several projects, including several made-for-streaming films, and has been pulling content off of HBO Max in order to add to its write-downs and reduce royalties and other costs.
Also: Warner Bros. Discovery Moving HBO Shows to FAST Services
The company has promised Wall Street that it can reduce costs by $3.5 billion and has laid off hundreds of employees since the merger closed.
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In its latest filing Wednesday, Warner Bros. Discovery said that its “restructuring efforts are ongoing and could result in additional impairments above the revised estimates. The restructuring initiatives are still expected to be substantially completed by the end of 2024.” ■
Jon has been business editor of Broadcasting+Cable since 2010. He focuses on revenue-generating activities, including advertising and distribution, as well as executive intrigue and merger and acquisition activity. Just about any story is fair game, if a dollar sign can make its way into the article. Before B+C, Jon covered the industry for TVWeek, Cable World, Electronic Media, Advertising Age and The New York Post. A native New Yorker, Jon is hiding in plain sight in the suburbs of Chicago.